The Fifth International Conference on Ancient Tomb Art

All day
Through August 20, 2017

Begins
Aug. 18

Organizers:  

  • Center for the Art of East Asia, University of Chicago
  • School of the Humanities, Central Academy of Fine Arts
  • Center for Visual Studies, Peking University

Assistant Organizer:

  • Hunan Fine Arts Publishing House

Place:  

  • The University of Chicago Center in Beijing

 

主办:

  • 芝加哥大学东亚艺术研究中心
  • 中央美术学院人文学院
  • 北京大学视觉与图像研究中心

协办:

  • 湖南美术出版社

地点:

  • 芝加哥大学北京中心(北京市海淀区中关村大街59号文化大厦20层)

 

The Fifth International Conference on Ancient Tomb Art was successfully held on August 18th-20th 2017, at the University of Chicago Center in Beijing. More than 220 audiences including researchers and people who are quite interested in tomb art attended this conference and had heated discussions with speakers. This conference was organized by Center for the Art of East Asia, University of Chicago, School of the Humanities, Central Academy of Fine Arts and Center for Visual Studies, Peking University, co-organized by Hunan Fine Arts Publishing House. It is the fifth in a sequence of conferences held biennially on the art of tombs, the longest and most deeply rooted ritual art tradition in pre-modern China. This is a vital and growing field of study both in the sense of the increasing materials available from archeological activity and in the multi-disciplinary scholarship that it has inspired.

2017年8月18-20日,在芝加哥大学北京中心举办的“第五届古代墓葬美术研究国际学术会议” 圆满落下帷幕。220多名与会者、墓葬美术研究者及爱好者等参加了此次会议并与讲者们展开激烈的讨论。此次会议由芝加哥大学东亚艺术研究中心、中央美术学院人文学院、北京大学视觉与图像研究中心主办,湖南美术出版社协办。该会议每两年举办一次,今年是第五届。墓葬美术是传统中国历时最久、植根最深的一个礼仪美术传统。随着考古材料不断涌现以及综合学科成果的启迪,墓葬美术已经成为一个非常重要并且不断发展壮大的研究领域。

 

Schedule/会议日程

 

8月18日(星期五,Friday)

 

9:00-9:30 

开幕式 Opening Ceremony

主持人:滕宇宁(北京大学视觉与图像研究中心)

Moderator: Yuning TENG(Centre for Visual Studies, Peking University)

 

9:00-9:10  

巫鸿教授致开幕词,并阐述本次会议主旨

Opening Address: Prof. Wu Hung

 

9:10-9:20  

湖南美术出版社领导致辞

Address: The Leader of Hunan Fine Arts Publishing House

 

9:20-9:30

合影

Group Photo Time

 

第一场 墓葬美术的方法与技术

Section 1: Methods and Technologies of Tomb Arts

主持人:李清泉

Moderator: Li Qingquan

 

1. 地上和地下之间:重新考虑“墓葬”的含义

Between the Aboveground and Underground: Reconsidering the Implications of “Tomb”

巫鸿(芝加哥大学东亚艺术中心)

Wu Hung(Center for the Art of East Asia, University of Chicago)

9:30-10:00

10:00-10:15 

评议、讨论    

Discussion

 

2. 唐代墓俑的制度与想象

Regulations and Imagination of Tang Funerary Figurines

林伟正(芝加哥大学艺术史系)

Wei-Cheng Lin(Department of Art History, University of Chicago)

10:15-10:45

10:45-11:00  

评议、讨论    

Discussion

 

11:00-11:15 

茶歇      

Tea Break

 

3.汉画总录沂南卷编辑

Compiling the Catalogue of Han Art (Yinan Volumes)

朱青生(北京大学历史系)

LaoZhu (Zhu Qingsheng)(Department of History, Peking University)

11:15-11:45

11:45-12:00  

评议、讨论    

Discussion

 

4.数字化变革对汉画研究的影响和思考

Reflection for Impacts of Digital Innovations on Han Art Studies

刘冠(北京大学汉画研究所)

Liu Guan(Institute for Han Art, Peking University)

12:00-12:30

12:30-12:45  

评议、讨论    

Discussion

 

第二场 礼仪、文字与美术

Section 2: Rituals, Words, and Arts

主持人:倪克鲁

Moderator: Lukas Nickel

 

5.荆牢与特牛——周代祭牲体系的变革

“Jinglao” and “Teniu”: The Transformation of Sacrificial Rites of the Zhou Dynasty

张闻捷(厦门大学历史系)

Zhang Wenjie(Department of History, Xiamen University)

14:00-14:30

14:30-14:45  

评议、讨论    Discussion

 

6.从“衣物简”到衣物疏——遣策与西汉的丧葬礼仪

From "Clothes Strips" to Yiwushu: Western Han Inventories and Funerary Rites

田天(首都师范大学历史学院)

Tian Tian(History Department, Capital Normal University)

14:45-15:15

15:15-15:30 

评议、讨论    

Discussion

 

15:30-15:45 

茶歇     

Tea Break

 

7.楚墓神煞中的太一出行

Taiyi Chuxing (The Grand One Sets Out an Errand) in the Chu Tombs’ Shensha Figurines

沈睿文(北京大学考古文博学院)

Shen Ruiwen(School of Archaeology and Museology, Peking University)

15:45-16:15

16:15-16:30 

评议、讨论    

Discussion

 

8.永恒的代价——汉墓美术中的“变形记”

The Cost for Eternality: “Metamorphosis” in the Tomb Arts of the Han Dynasty

王煜(四川大学历史文化学院)

Wang Yu(School of History and Culture, Sichuan University)

16:30-17:00

17:00-17:15  

评议、讨论    

Discussion

 

17:15-18:00    

自由讨论    

Free Discussion

 

8月19日(星期六,Saturday)

 

第三场 文化交流与比较

Section 3: Cultural Exchanges and Comparisons

主持人:沈睿文

Moderator: Shen Ruiwen          

 

9.西汉时期中原地区的异族墓葬

Non-Chinese Tombs in China’s Central Plain during the Western Han

倪克鲁(维也纳大学艺术史系)

Lukas Nickel(Department of Art History, University of Vienna)

9:00—9:30

9:30-9:45 

评议、讨论    

Discussion

 

10.昭陵十四蕃君长像的形塑     

Shaping the Sculptures of Fourteen Tribal Chiefs in Zhao Mausoleum

耿朔(中央美术学院人文学院)

Geng Shuo(School of Humanities, The Central Academy of Fine Arts)

9:45-10:15

10:15-10:30 

评议、讨论    

Discussion

 

10:30-10:45 

茶歇     

Tea Break

 

11  寂路回响——乌尔“琴语”及苏美尔葬仪初探

The Sound of Silence: The Musical and Pictorial “Languages” of the Ur Lyres and Some Preliminary Thoughts on Sumerian Burial Rites

贾妍(北京大学艺术学院)

Jia Yan(School of Arts, Peking University)

10:45-11:15

11:15-11:30 

评议、讨论    

Discussion

 

12.孝子与山水——论元代墓葬中的孝行故事图

Filial Sons and Landscape Settings: Illustrations of Filial Paragons in Yuan Tombs

邓菲(复旦大学文史研究院)

Deng Fei(National Institute for Advanced Humanistic Studies, Fudan University)

11:30-11:45

11:45-12:00 

评议、讨论    

Discussion

 

第四场 中古绘画的新视野

Section 4: New Visions in the Middle-Period Paintings

主持人:蒋人和(芝加哥大学东亚艺术中心)

Moderator: Katherine Tsiang(Center for the Art of East Asia, University of Chicago)

 

13.徐州白集汉墓“赵氏孤儿”内容画像石的甄别及其意义

Discerning the Stone Relief Image of “the Orphan Zhao” from a Han Tomb in Baiji, Xuzhou, and its significance

朱浒(华东师范大学美术学院)

Zhu Hu(School of Fine Arts, East China Normal University)

13:30-14:00

14:00-14:15  

评议、讨论    

Discussion

 

14.河北省平山县王母村唐代崔氏墓的发现

The Discovery of the Chui Tomb of the Tang Dynasty in the Wangmu Village, Pingshan County, Hebei, and Related Research

韩金秋(河北省文物研究所)

Han Jinqiu(Cultural Relics Research Institute of Hebei Province)

14:15-14:45

14:45-15:00  

评议、讨论    

Discussion

 

15:00-15:15 

茶歇     

Tea Break

 

15.心桥——墓葬美术中的一个“连接”符号及其两端

The Mind Bridge—A “Linking” Sign and Its Two Ends in Tomb Arts

李清泉(广州美术学院艺术与人文学院)

Li Qingquan(School of Arts and Humanities, Guangzhou Academy of Fine Arts)

15:15-15:45

15:45-16:00  

评议、讨论    

Discussion

 

16.五星入地——江苏溧阳北宋李彬墓与唐宋五星镇墓信仰

Five Stars Entering the Ground: The Tomb of Li Bin from the Northern Song Dynasty in Liyang, Jiangsu, and the Belief of Five Stars in Protecting Tombs from the Evil during the Tang-Song Period.

庄程恒(复旦大学文史研究院)

Zhuang Chengheng(National Institute for Advanced Humanistic Studies, Fudan   University)

16:00-16:30

16:30-16:45  

评议、讨论    

Discussion

 

16:45-17:30    

自由讨论    

Free Talk

 

8月20日(星期日,Sunday)

 

第五场 身份、区域及其他

Section 5: Identity, Region, and Others

主持人:林伟正

Moderator: Wei-Cheng Lin        

 

17.反思宋代“文人墓”

Reconsidering Song “Literati Tombs”

陈云倩(德克萨斯州大学奥斯汀分校)

Yunchiahn C. Sena(University of Texas at Austin)

9:00—9:30

9:30-9:45 

评议、讨论    

Discussion

 

18.死亡艺术的地域性建构——辽代西京的丧葬文化

Localizing the Art of Death: Funerary Culture in the Western Capital during the Liao Dynasty

洪知希(加拿大麦吉尔大学)

Jeehee Hong(McGill University)

9:45-10:15

10:15-10:30 

评议、讨论    

Discussion

 

10:30-10:45 

茶歇     

Tea Break

 

19.死后的行营——辽庆东陵中的四季山水图再议

Camp for Posthumous Life: Spatial Conceptions of the Liao Imperial Tomb

陆骐( 北卡罗来纳大学教堂山分校)

Lu Qi(University of North Carolina at Chapel Hill)

10:45-11:15

11:15-11:30 

评议、讨论    

Discussion

 

20.龙缸与乌盆——器物中的灵与肉

Dragon Jar and Black Basin: The Soul and Flesh Inhabited in Utensils  

郑岩(中央美术学院人文学院)

Zheng Yan(School of Humanities, The Central Academy of Fine Arts)

11:30-12:00

12:00-12:15 

评议、讨论  

Discussion

 

12:15-12:30 

总结

Conclusion

主持人:郑岩

Moderator: Zheng Yan

总结者:巫鸿、朱青生

Closing Remarks: Wu Hung and LaoZhu

 

会议闭幕 Conference Closes

 

About the Conference/会议简介

 

Chinese tomb art possesses the richest archaeological information, extending over the longest temporal duration and geographical span of any of the world’s art traditions. As a synthetic visual system, its components include architecture, objects, painting, sculpture, decoration, burial equipment, calligraphy, clothing, and the treatment of the body. Supported by major archeological discoveries in recent decades, the study of ancient Chinese tomb art has expanded into an international arena. Because of this the Peking University, the Central Academy of Fine Arts, Beijing, and the Center for the Art of East Asia at the University of Chicago have organized an initiative to address these cultural materials in a series of international conferences to be held China. Subjects of research include both general historical trends and specific cases; at the same time, there is strong interest growing in analytical and interpretative methods. The purpose of this conference, like those before it, is to provide an international and multi-disciplinary platform for increased scholarly communication and understanding based on evidential research, as well as serious reflection and discussion of analytical methodologies. It is hoped that the combination of these two directions will help further develop this field.

The project for collaborative scholarly research and sharing of information was introduced in 2009. The two chief organizers of the first International Conference on Ancient Tomb Art were Wu Hung, representing the Center for the Art of East Asia at the University of Chicago, and Zheng Yan, representing the School of Humanities at the Central Academy of Fine Arts. After the first conference a meeting of the participants decided to develop a biannual series of conferences to provide a regular channel for scholarly exchanges in this emerging field of interdisciplinary study and for publication of the resulting papers.

The organizers of the 2011 conference, like that planned for 2013 represent three major academic institutions, University of Chicago, Peking University, and the Central Academy of Arts. In addition to Wu Hung and Zheng Yan, the chief organizers also include Professor LaoZhu (Zhu Qingsheng), Director of the Center of Visual Studies at Peking University. 

 

中国的墓葬艺术有着最为丰富的考古材料,无论是时间的持续还是地域的伸延都在世界美术史上无出其右。它也是考古信息最为丰富的一个综合性艺术系统,其内涵包括了建筑、器物、绘画、雕塑、装饰、葬具、铭刻书法以及对身体的处理。在大量考古材料的支持下,对中国古代墓葬美术的研究近年内在国际领域蓬勃展开。正因如此,北京大学、中央美术学院以及芝加哥大学东亚艺术中心联合在中国发起这一系列国际学术会议,讨论墓葬美术的问题。会议研究的主题包括宏观的历史趋势以及重要的个案,与此同时也非常注重分析和解释的方法。本次会议的目的同之前几次一样,为中外学者提供一个交流和讨论的国际化、多学科平台,既鼓励对重要历史性问题的切实的研究和考证,也提倡对于多种研究方法的思考和讨论,以促进这个学术领域的进一步发展。

古代墓葬美术研究国际学术会议这一学术项目始自2009年,两位主要的发起人为美国芝加哥大学东亚艺术中心的巫鸿教授和中央美术学院人文学院的郑岩教授。2009年第一次会议之后,与会者决定将这个项目发展为每两年一次的系列会议,为这一新兴领域的跨学科研究和论文出版提供一个常设的交流渠道。

从2011年开始,主办墓葬美术会议的学术机构扩展为三家:芝加哥大学、北京大学和中央美术学院。除了原来的两位发起人巫鸿教授和郑岩教授,北京大学视觉与图像研究中心主任朱青生教授也加入到组织者的团队中。第五届古代墓葬美术研究国际学术会议将延续之前的会议和出版方式,推动古代墓葬美术的交流与研究。